in my work as elsewhere in life, i guess i always look for some measure of ambivalence. i get very suspicious when anything is made to look like it’s one thing only, because hardly anything, or hardly anyone for that matter, is ever one thing only. & in the face of the world’s inanities, this is a point i feel i must insist on. most things, & most people, have contradictory facets to them, & i’ve always had the ambition for my work to reflect that.
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